![]() Hopper depicts the loneliness and isolation of contemporary man, an allegory of the alienation of Western life in the mid-20 th century. ![]() The painting Gas is similar to the Portrait of Orleans in its eerie approach to the banal. Hopper captures the banality of everyday life while highlighting a singular eerie moment in an empty, deserted city. This Edward Hopper painting of the intersection of Route 6 and Main Street in Orleans, Massachusetts looks like it could be any rural town in 1950s America. The troubling and almost disturbing atmosphere present in this painting is highlighted by the aggressive artificial light and the feeling that the characters are trapped like flies within a bar that has no visible exit door. In 1997, Wim Wenders used this scene for a sequence in his film The End of Violence. The couple is reminiscent of the characters played by Humphrey Bogart and Lauren Bacall in To Have and Have Not. Its enigmatic aura pierces through and beyond the canvas with an overwhelming feeling of disconnection and voyeurism. Nighthawks is considered to be Edward Hopper's most famous painting. Hopper’s paintings continue to inspire artists to this day, including the photographer Gregory Crewdson and iconic film maker Alfred Hitchcock. His characters were often lost in thought gazing off into the distance beyond the edges of the canvas, leaving the viewer wondering what would happen to the characters in the next moment. His work was simplistic and concentrated on basic forms and light. ![]() At the surface, Hopper’s paintings appear to be calm and silent, a perfect reflection of the artist himself, as the art historian Lloyd Goodrich once stated, “Hopper had no small talk, he was famous for his monumental silences but like the spaces in his pictures, they were not empty."Īlthough not necessarily the most prolific artist of his time in terms of technique, Edward Hopper created countless famous paintings that opened a door into the disillusioned melancholic atmosphere that reigned during the postmodern era. Hopper painted from real life, creating stark yet intimate interpretations of American life. He concentrated on depicting urban scenes and occasionally experimented with landscapes. Hopper was a master at transforming the ordinary into the extraordinary. His artistic vision was an instant success, leaving much of the interpretation up to the viewer due to his characters’ minimalist and enigmatic poses. Six of his paintings were shown at the International Watercolor Exhibition at the Brooklyn Museum in 1923. However, his paintings made a mark on the art world from the moment they were first put on public display. ![]() His illustrations earned him a steady income. Hopper was drawn to their impressionist techniques and depiction and attention to light within their compositions. He became fascinated with Edgar Degas, Édouard Manet and Picasso. Hopper traveled to Europe on several occasions and particularly enjoyed Paris. His artistic journey began as an illustrator, he quickly became interested in painting and associated with the leading figures of the Ashcan School, a realist movement of artist’s determined to bring art into closer touch with everyday life. Illustration: Edward Hopper, Self-Portrait, 1925.Įdward Hopper (1882-1967) was born in New York. He left behind an unprecedented legacy that Artalistic – one of the leading platforms for buying and selling fine art online – has carefully combed through in order to bring you what we believe to be Edward Hopper’s 5 most famous paintings. Hopper’s paintings were mysterious, filled with longing and offered a new way of seeing. His work was an expertly executed mélange of painting, light and storytelling, depicting New England towns and New York City architecture. Edward Hopper was one of America’s most influential realist painters of the 20 th century.
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